THE NORTH OF IRELANDIt
was the early days of Punk Rock, March 1977. The group I played in as a drummer were told
by two people called our "Managers" that an agency had booked us some gigs in
Ireland - Cork, Dublin, then Belfast and Portrush. This news was not met with great
enthusiasm and eager excitement - Belfast represented trouble. The blokes in the group
were young, none of us had much of an education and we knew nothing about what was going
on in towns like Belfast, which appeared on television in an atmosphere of grimness - fear
was the feeling. At that time we knew of no other group going to play there - Why
us?' I remember thinking, but, unwittingly naive in nearly all matters, we got in the
clapped out van and headed west across the water.
Cork and Dublin went by, though not great - we started the tour with just
enough money for one nights accommodation. Our wealth hadnt really grown, but
that didnt matter, our main concern was playing in Belfast.
It was mid-afternoon, we followed the signs off the motorway to Belfast. The roads
turned into cramped Victorian housing. Drizzle in an ever-darkening afternoon light only
added to a forbidding feel that was threatening in this overcast city. All of us came from
the suburbs of London, the symbols reflected from these claustrophobic streets had an
intensity and seemed to emanate a strong message, which said, this is a very different
place from what you know. The signs were on concrete, brick and the faces of the people I
watched through the window of our van as we struggled to find street names which would
lead us to our hotel. The red, white and blue kerbstones, daubed messages and words
"H-Block" and "Stop Internment" - words I wasnt sure if I had
heard before and certainly didnt know what they meant. The murals of garish colour
reminded me of something I had seen on TV, maybe somewhere in a South American republic.
Strange ominous silhouette figures holding guns, having masked faces with slogans I
didnt understand. The van grew quiet, very quiet. This was a foreign land indeed and
the feeling was heavy with a menacing intent - a feeling which did not conjure up an image
to my mind of relaxed simple laughter, an image of a newly arrived family pet, with the
cheery family laughter together at the new arrivals clumsy antics. No, the word
serious came to mind.
The security at the hotel wasnt something we were used to. Because of what the
media had promoted I didnt venture down to the shops or go for a quick beer. That
evening we set off to find a place that was the gig. It was by Queen Elizabeth
Bridge in a place called the Pound. People at the gig were pleased to see us -
maybe over friendly. They told us that no-one came over and that they felt left out, they
made this point very clear. An alley ran from the club to a street outside. I was talking
with a bunch of blokes in the street. One of the lads kicked a can and as this happened
they all turned and ran back up the alley. I stood there looking around. A landrover type
of car braked sharply to a halt and out jumped these police types with guns. I hadnt
been abroad and wasnt used to seeing guns in the street, but this was a distant land
on the TV wasnt it? Some held their guns to the rooftops. One pointed his at me.
"What is it?" he barked harshly. I didnt have a clue what he was on about,
but a fear froze my insides. He nodded towards the discarded can in the road. "What
is it?" he rasped again. "A can - a beer can", I smiled nervously.
"Pick it up", his voice uttered with disinterest. I picked up the can. I started
to feel a bit queasy. The copper asked me where I was from and I told him, thinking he
would be okay or maybe even apologise, but nothing. He nodded towards the gutter. I placed
the can by the side of the road and they got in their vehicle and left. I returned to the
club. The promoter and a few of the lads I was in the street with were watching what had
happened out in the street on a security TV. "Blimey" I said, "that was
weird". "Christ", one of the lads said, "I thought he was gonna shoot
ya". I looked at him. "Thats what they do here ya know", he said. But
the gig went very well. A reception from people starved with a feeling of being left out.
The night after there was a bomb scare in our hotel; we had to evacuate our rooms. A
voice told us to over and over, whilst a shrill alarm sounded. I told Nigel the bass
player who I shared the room with to move, but he refused. "If its gonna
happen..." he said and then went on about the London blitz. I got out quickly, and
stood in the car park with others. Most had blankets over their heads as the rain beat
down a steady unending rhythm. There was no bomb. We returned indoors and me to my room
where I was met with the comment, "I told you so".
The next day a journalist, who came from Northern Ireland, a photographer from London
and myself went for a trip to Ballymoney. It was a breezy bright day. The town reminded me
of a Conservative middle England market town - but then two blokes came walking down the
pavement in paramilitary clothing, wearing balaclavas and carrying rifles - bizarrely
incongruous, yet people took no notice of them. A fear stuck me to the spot on which I was
standing. I turned and concentrated hard into the shop windows on my left. Without turning
I asked the journalist through my gritted teeth, "Whats that? Who are they?
What's going on?" "Dont worry", came his reply in a jovial manner,
"Theyre on our side". "Our side? Our side?" I thought to myself,
"What the fuck does that mean"? I held my unseeing stare at the window and
watched the reflection of the two masked men pass behind me. After a few seconds I began
to relax. I breathed more easily. I started to feel that I had senses once more. I started
to see. I realised what I was glaring at in the shop window with such intense interest. It
was a selection of brightly coloured patent leather shoes for little girls. I looked from
side to side, I dont think anyone noticed.